APA Referencing †Citing a Movie or TV Show (Proofread My Paper)

APA Referencing – Citing a Movie or TV Show APA Referencing – Citing a Movie or TV Show The vast majority of citations in academic writing are for books, journals and other written sources. Sometimes, however, you might need to cite a movie or TV show. E.g., If you want to squeeze Steve Buscemis strange, beautiful face into your thesis somehow.(Photo: David Shankbone/wikimedia) Are there special rules for this, you may be wondering? You bet there are, sonny! Herein, for instance, we take a look at how to cite a motion picture or TV show with APA referencing. Citing a Motion Picture You might think this is only relevant if you’re studying film and media, but it can also be crucial in many subject areas (e.g., if you want to quote something from a documentary). The in-text citation format to use here is similar to that used for print sources, except that you name the producer and director instead of the author, along with the year of release: Renà © Griffiths eventually found success in South America (Ramasut Goch, 2010). This is accompanied by full detail of the source in the reference list, using the following format: Last Name, Initial(s). (Producer), Last Name, Initial(s). (Director). (Year). Title [Motion picture]. Country of origin: Studio or distributor. In the case of the documentary cited above, this would appear as: Ramasut, C. (Producer), Goch, D. (Director). (2010). Separado! [Motion picture]. United Kingdom: Soda Pictures. Citing a TV Show The format for citing a TV show depends on whether it’s a one-off broadcast, a single episode of a series or a complete series. For each, however, in-text citations require you to name an authority (e.g. a director, writer or producer) and a year of broadcast: The game itself was preceded by a six-hour pre-game show (Esocoff, 2015). For a one-off broadcast, include the following in the reference list: Last Name, Initial(s). (Title of Authority). (Year, Month Day). Title of show [Television broadcast]. Location of broadcasting company: Broadcasting Company. The show cited above would therefore appear as: Esocoff, D. (Director). (2015, February 1). Super Bowl XLIX [Television broadcast]. Stamford: NBC Sports. The highlight of Super Bowl XLIX was when everyone fell over, creating a big heap of sweaty sport men. If you’re citing a series as a whole, the format changes slightly: Last Name, Initial(s). (Title of Authority). (Year of First Series). Title of series [Television series]. Location of broadcasting company: Broadcasting Company. When citing a particular episode, the details are included before the series information: Last Name, Initial(s). (Writer), Last Name, Initial(s). (Director). (Year). Title of episode [Television series episode]. In Name of Producer (Producer), Title of series. Location of broadcasting company: Broadcasting Company. As such, an episode of the show Last Week Tonight would appear in the reference list as: Avery, K. (Writer), Perota, J. (Director). (2014). Military translators [Television series episode]. In J. Oliver (Executive Producer), Last week tonight. New York: HBO. Time Stamps If youre referencing a particular section of a movie or TV show, you’ll need to include a timestamp in the citation, just as you’d give page numbers when quoting a print source. This involves indicating the time at which the relevant section begins: Rhys ends his search at the final residence of Butch Cassidy and the Sundance Kid (Ramasut Goch, 2010, 1:17:20). The citation above, for instance, shows that the section in question starts at one hour, seventeen minutes and twenty seconds into the video, making it easier to find the information referenced. Separado! is presented by a Welsh rock star who teleports using a magical Power Rangers helmet. Its awesome. (Image: Soda Pictures)

Irrealis Were - Definition and Examples

Irrealis 'Were' s Definition In English grammar, irrealis involves the  use of were with a  subject  in the  first-person  singular or third-person singular  to  refer to an unreal or hypothetical condition or eventone thats not true or that hasnt occurred (e.g., If I  were  you, Id go home). In contrast to the more common use of were as a past-tense form (e.g., They were lost), irrealis were is a nontensed mood form, similar to the subjunctive. Irrealis  were  is sometimes called the were-subjunctive or (somewhat misleadingly) the past subjective. As Huddleston and Pullum point out, Irrealis were does not refer to past time, and there is no synchronic reason to analyse it as a past tense form (The Cambridge Grammar Of The English Language, 2002). Defined more broadly, irrealis refers to an event that hasnt occurred (or at least hasnt yet occurred), while realis refers to an event that has occurred. Examples and Observations I was telling Grant that  if I were an  alien and I came down to earth from some far-off planet, there are a few things I would notice about people, and the first thing I would notice is the way they looked, that is, if people looked different on my planet.(Donald Miller, Blue Like Jazz. Thomas Nelson, 2003)Roxanne stood talking to him with one long-nailed hand on his shoulder, the other at her hip as  if she were a  model at a trade show trying to sell him the grill.(Kate Milliken, The Whole World.  If Id Known You Were Coming. The University of Iowa Press, 2013)They took to looking at him as  if he were  on the other side of a dirty window.(Kate Milliken, Inheritance.If Id Known You Were Coming. The University of Iowa Press, 2013) If I werent  so broke and unsettled, Id adopt a dog tomorrow.(Andrea Meyer, Room for Love. St. Martins Griffin, 2007) Moodiness: The Subjunctive and the Irrealis Were Traditional grammarians get tripped up by the verb be because they have to squeeze two different forms, be and were (as in If I were free), into a single slot called subjunctive. Sometimes they call be the present subjunctive and were the past subjunctive, but in reality theres no difference in tense between them. Rather, the two belong to different moods: whether he be rich or poor is subjunctive; If I were a rich man is irrealis (not real). . . . In English [the irrealis] exists only in the form were, where it conveys factual remoteness: an irrealis proposition is not just hypothetical (the speaker does not know whether it is true or false) but counterfactual (the speaker believes its false). Tevye the Milkman [in the musical Fiddler on the Roof] was emphatically not a rich man, nor were Tim Hardin, Bobby Darin, Johnny Cash, or Robert Plant (all of whom sang If I Were a Carpenter) in any doubt as to whether they were carpenters. Counterfactual, by the way, need not mean outlandisho ne can say If she were half an inch taller, that dress would be perfectit just means known to be not the case. (Steven Pinker, The Sense of Style. Viking, 2014) An Exceptional Form This use of were is highly exceptional: there is no other verb in the language where the modal remoteness meaning is expressed by a different inflectional form from the past time meaning. The irrealis mood form is unique to be, and limited to the 1st and 3rd person singular. It is an untidy relic of an earlier system, and some speakers usually, if not always, use preterite was instead. (Rodney Huddleston and Geoffrey K. Pullum,  A Students Introduction to English Grammar. Cambridge University Press, 2005) AlsoSee Past SubjunctiveSubjunctive Mood

Character changes in Macbeth

Character changes in Macbeth Essay In Shakespeares play Macbeth we see the main character, Macbeth changes from a well-regarded and loyal soldier of the Scottish king to a murderous tyrant. At the start of the play Macbeth is courageous, ambitious, superstitious and devoted to his wife. These characteristics are shown through the victory against the rebels, Macbeths trust in the witches and his letter to his wife. In the second half of the play Macbeth becomes cruel and treacherous, insecure and distant from Lady Macbeth. The events that show this change are the murders Macbeth commits, his voluntary return to the witches and his reaction to his wifes death. One of the first events of the play occurs when King Duncans army, led by Macbeth and Banquo defeat the rebels. Macbeth fought ferociously, risking his own life to save his country. King Duncan praises noble Macbeth. Macbeth is seen as a strong soldier who is loyal and courageous, a truly heroic figure. To Duncan he was the worthiest cousin; to the wounded sergea nt Valours minion; to Banquo, My noble partner. King Duncan cannot reward him enough for all he has done. More is thy due than more than all can pay. Macbeth is made Thane of Cawdor, but begins to be tempted by his own vaulting ambition to become king. Another characteristic of Macbeth is his striving ambition and curious nature, which leads him and his partner Banquo to the witches who give him a prophecy. Banquo realises that there must be a trick hidden in the witches prophecies but Macbeth refuses to accept that. Macbeth chooses to let the witches influence him, but Banquo does not. This event showed Macbeth was superstitious because he trusted the witches. The witches prophecies stroked the fires of his ambition to be king.Macbeth was also devoted to his wife. He told his wife everything and confided in her via a secret letter. Macbeth even called his wife my dearest partner of greatness. This proves the affection and trust he had in Lady Macbeth. Together they plot to murder D uncan. Lady Macbeth and Macbeths own ambition are influences of evil that Macbeth chooses to accept. Macbeth also accepts advice from his wife. Lady Macbeth gets him to act by appealing to his manhood and courage, When you durst do it more the man., showing Macbeth is morally weak. He is very hesitant about killing the king though, showing he has a conscience. However, Macbeth begins to act alone, and Lady Macbeth loses her control over him. He follows his murder of Duncan with the quick murder of the two sleepy grooms. Macbeth becomes cruel and treacherous; the voice of conscience within him is gone; he no longer hesitates to follow courses of evil: The very firstlings of my heart shall be The firstlings of my hand. He does not need to be urged to the deed in planning the murder of Banquo and of Fleance. Macbeth fears Banquo because he recognises in him a moral courage, which he lacked Banquo kept his bosom franchised and allegiance clear. Macbeth also believed the prophecy that Banquos descendants would become king. He had become obsessed with his own safety. Macbeths imagination and insecurity is shown when the ghost of Banquo appeared at the banquet. His degradation carries him to the level where he vents his savage frenzy upon the innocent heads of His Macduffs wife, his babes for no reason, but his savage determination to maintain t he throne. These murders show the insecurity that was present in Macbeth. READ: The Moment Of Truth: Happy Ending EssayMacbeth voluntarily and deliberately returns to the witches alone. This time he is more assertive towards them. He is not over awed and he demands to know if Banquos descendants will become kings. The witches deliberately mislead Macbeth but he believes them, showing his overconfidence. Later, Macbeth becomes distant and cold towards Lady Macbeth. Lady Macbeth can no longer control Macbeth, and after killing Duncan he begins to act alone. Macbeth even tells the doctor to cure her of her mental illness, and makes no effort himself to help cure her. When Lady Macbeth dies, Macbeth states She should have died hereafter. There would have been time for such a word. He hears the news of his wifes death and reacts nonchalant and unemotionally. But Macbeth is still a tragic hero because he reveals to us that he is suffering a living hell, without the blessing of sleep that knits up the ravelld sleave of care. His punishment is as great as his crimes. At the end Macbeth does not run away or kill himself. Although Macbeth knows that he is doomed, he fights Macduff to the end, showing he is still courageous and physically brave. Once the saviour of his country, a valiant cousin! a worthy gentleman, Macbeth became the dead butcher, allowing ambition to overcome the natural order of life. Bibliography:

Wage Differential between the Sexes Research Paper - 1

Wage Differential between the Sexes - Research Paper Example Total experience was obtained by adding ‘months since hire’ and ‘previous Experience’ This study utilized secondary sources for data collection. The use of secondary data is useful because it is cost-efficient and saves time for the independent researcher (Glaser, 1963; Hyman, 1978; Hayashi, 2000). The independent researcher has limited financial resources because he or she works alone. Such researchers are usually professionals who attempt to research some significant social problem on a part-time basis. A two-step attempt was made to discover if the income of professional females increases at the same rate as that of males with comparable education as the experience increase. During the first step, the existence and strength of a relationship between salary and experience for male and female professionals with a given university degree in a specific job were researched using correlational methodology. During the second step, a comparison was made between the incomes of males and females with the same experience. Attainment of an educational degree was held constant for each given professional position. The correlational research method was selected as the primary methodology because of its ability to discover relationships among logical variables (Wooldridge, 2008). It appears that there is a lack of congruence in the literature in establishing an association between the level of income, experience, and gender, and also a lack of significant research efforts towards establishing a link between income and experience by gender identification, therefore, the hypothesis was stated as a null hypothesis (Albrect et al., 2003; Atkinson et al., 2003; Blau et al., 2006).

Sequestration Essay Example | Topics and Well Written Essays - 250 words

Sequestration - Essay Example Sequestration idea was implemented as part of 2011-budget control act. In fact, both parties agreed that approximately $1 trillion to be cut from the federal government; however, they did not agree on the next steps to salvage the nations fiscal budget (Genovese, 2010). Moreover, there some quarters that proposed the increment of the national borrowing toward creating defaults that could have emerged from the damages of the Sequestration. Borrowing from the Reagan era law, there was an argument that there was needed to achieve goals including raising the borrowing limit but improving the national fiscal standing (Genovese, 2010). Sequestration idea is simple; it only calls for scheduling for automatic cuts for the future national budgets. However, Sequestration may be harmful for everyone; therefore, the congress should implement better and smoother cuts before implementing Sequestration fully (Genovese, 2010). Sequestration was planned to start this year but the lawmakers have delayed it; nonetheless, it is expected to take effect as of this

Culture of Tears Research Paper Example | Topics and Well Written Essays - 1000 words

Culture of Tears - Research Paper Example The word cry has been mentioned in 168 verses in the bible and a total of 181 times. Crieth is a word that has been mentioned 17 times each in a different verse from the other, while the word cry appears once within the bible. That is not the end. The word cried has been mentioned in 195 verses and the total number of times it is mentioned adds up to 199 times. For 49 times, the word weep has been mentioned within 45 bible verses while weepest appears 3 times each in a different bible verse from the other. Weepeth appears in 41 verses of the Bible and total number of times t has been mentioned is 44 (Donald, 2008). All these words mean the same thing, to sum up, it is evident that the term tears and other words that are associated appear 534 times in the bible in 354 verses of the bible. This information gives people a very familiar theme of tears that is found all through the bible. In fact, weeping is associated with notable God’s servants explained in the bible (Donald, 200 8). The Lord himself happened to be a man of tears. Today Jews and other societies have adopted a different culture where crying portrayed to be a girlish thing. It is acceptable for women and girls. This is by far different from what is seen in the bible. It is an incorrect teaching since within the bible tears are accepted and highly praised or much admired. The heavy, as well as the continued trials through which many God’s people have gone through, are teachings of the believers on the need to be patient and silent under light suffering. Yet believers are even tempted to repine as well as despond. David comforts himself, at the time of fear and distress that God took notice of all his griefs as well as all his grievances. â€Å"You have taken account of my wanderings; Put my tears in Your bottle. Are they not in Your book? God has book and a bottle for the tears of his people, both the tears for his people’s sins as well as those for their suffering.  

Edward Muybridge Essay Example | Topics and Well Written Essays - 1000 words

Edward Muybridge - Essay Example Muybridge through a series of photographs featuring a galloping horse supported Stanford’s assertion of how during a full gallop, the horse’s front and the hind legs extended maximally, thereby making it off the ground. Muybridge further supported this assertion of â€Å"unsupported transit† through the use of more technical equipments, like zoopraxiscope. It is â€Å"a lantern he developed that projected images in rapid succession onto a screen from photographs printed on a rotating glass disc, producing the illusion of moving pictures.† (â€Å"Eadweard Muybridge†). When he showed the horses’ gallop in a fast moving manner through zoopraxiscope, he was able to convince many regarding the unsupported transit theory. Thus, Muybridge photographic study on animal locomotion is a path breaking one, not attempted by other photographs and it led to the formation of various give scientific theories regarding animal locomotion. In addition, it also h ad cultural impacts in the way horses were looked and trained. Muybridge’s development of Zoopraxiscope and the resultant running images acted as the inspiration for the development of movie cameras and thereby development of cinemas. â€Å"Zoopraxiscope is an important predecessor of the modern cinema† (â€Å"Eadweard Muybridge†). Although we know Lumiere Brothers has the developers of the first cinema, the role of Muybridge in that evolution cannot be overlooked. George Melies – early film Georges Melies was a French magician and filmmaker, who is known for his innovative technical tricks in filmmaking, and other narrative developments during the initial stages of filmmaking. He started his foray into the entertainment business by purchasing Theatre Robert Houdin. There he conducted performances which revolved around magic tricks as well as illusionist techniques, thereby bringing out an interesting aspect of French Culture. When the Lumiere brothers sh owcased their first moving picture and the camera, which captured those pictures, Melies wanted to buy that camera. As there was no favorable response from the Lumiere brothers, Melies purchased another motion picture camera from UK, and started making his own films. â€Å"Melies' first films were straightforward cityscapes and event films, but soon he was using the camera to document magic acts and gags from the stage of the Theatre Robert-Houdin† (Larson). Even while making those sorts of films, purely by accident Melies discovered how the camera can be manipulated to create special efforts. He expanded those initial tricks to come up with complex special effects. It was widely regarded that he only pioneered the first double exposure shots, the first split screen with actors acting opposite of themselves, and also the first dissolve through double or multiple exposure shots, â€Å"he was able to create an illusion of people and objects appearing and disappearing at will, or changing from one form to another.† (Larson). In addition, Melies was one of the key pioneers who by editing or stringing a series of independently shot scenes, made it into sizably long short films. Although, Mielies was not able to continuously achieve success in the cinema field, his is still regarded as one of the pioneers of the camera based special effects. . Shepard Fairey –