The revelatory dilemma presented in the play also revolves around the economic situations Nora

The theme of feminism as it relates to A Dolls stand concerns mainly Norasreactions to the alternate drives of so called interior(prenominal) tranquility and the formulation of an effective individuation that works outside of the domestic sphere.The revelatory dilemma presented in the play in like manner revolves around the economic situations Nora finds herself in, linking, as many another(prenominal) plays of the era did, concern with money to good action, depicting Krogstad as an immoral office and linking his moral action to Nora, as others including her pay back do, through the use of money. Nora, Nora Just the like a womanBut seriously, Nora, you make love what I think nearly that variety show of thing. No debts, no get. Theres something constrained, something ugly even, about a home thats founded on borrowing and debt (Ibsen 149). Mainly, from a feminist perspective, the revelatory dimensions of Noras decisions inform most of the work, in damage of her gradual s hift away from the crushing domestic sphere towards a greater independence that is formed by an nerve of greater degrees of knowledge. As she has more revelations as a character, Nora grows to a new awareness of what was previously hidden, and manages to put these changes into perspective.Although it seems at time that she is everyplacewhelmed, Nora is generally able to get over her knowledge and use the concealed training to some future advantage of her own. Noras system of denudation is based on her early life partly, when she was alternately parasitical on her father and then her husband. She was supply by this transition and does not receive a very good judgment about the real world, but she also is cunning enough to negotiate for her independence, and the discovery of secrets along the way drives her towards this independence as a goal.Ibsen, H. A Dolls House. New York Penguin 1994.